At the root of every good daydream is something that someone really wants. All the other details are there to form a cohesive narrative in which you somehow manage to get whatever that thing is that you really want. Most of Peter's daydreams were fairly indirect: he wanted to be respected and validated and heroic, though it was said in many more words than that.
But Alec's daydream is strangely direct.
"Is that what you want? For White and his people to be dead?"
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At the root of every good daydream is something that someone really wants. All the other details are there to form a cohesive narrative in which you somehow manage to get whatever that thing is that you really want. Most of Peter's daydreams were fairly indirect: he wanted to be respected and validated and heroic, though it was said in many more words than that.
But Alec's daydream is strangely direct.
"Is that what you want? For White and his people to be dead?"